期刊论文

A Study of the South African play Have You Seen Zandile from the Perspective of Community and Identification

中文

当代外国文学

1001-1757

2022

43

2

71-78

国家社科基金项目“文化记忆与身份认同视角下当代非洲戏剧研究”（17BWW058）的阶段性研究成果；

本校为第一机构

南非剧作家格西纳·姆洛菲的代表作《你见过赞迪尔吗》将个人经验与社会现实投射于舞台上,—改非洲戏剧以男性为主体、政治为主题的传统创作风格.该剧以黑人女孩赞迪尔被迫离开家园,十年后重返故园为叙述主线,对黑人女性群体予以了深切关注,并揭示了人物在不同共同体中的身份问题.本文以女主人公为研究对象,从剧中的共同体书写入手,深入探索其身份危机根源.研究表明,赞迪尔的身份危机源自共同体的骤然瓦解、共同体的再建构式微以及代际关系下的身份规训,剧作家对非洲口头传统的沿袭、女性共同体的建构以及人物主体意识的把握,既是重构黑人女性身份的有效手段,也是其创作独特性的真实写照.

Have You Seen Zandile, the representative work of South African playwright Gcina Mhlophe, dramatizes personal experience and social reality. It changes the traditional style of African plays which take men as the main subject and politics as the theme. Have You Seen Zandile takes Zandile, a black girl who was forced to leave her family and returned to her hometown ten years later as its main narrative. The play is concerned with black women and the various identity issues of characters in different communities. This article focuses on the heroi...